Capo at 5th, transpose +5,(or leave like this to sing with baritones!) ask if you want chord fingering help. C Em Dm7 F2 Em7 G F2

They say that th^Cese are not the b^Emest of times, but t^Dm7hey're the only ti^F2mes I've ever k^Cnow^Emn ^Dm7 ^F2 And I bel^Cieve there is a t^Emime for medi^Dm7tation in cath^F2edrals of our o^Gwn ^D ^G

-E7 Am G F2 - C/E Now I've seen that sad surrender in my lover's eyes

And ^D7susI can only st^D7and apart and s^Gsusympathize ^G F C/E Dm7 G F2 Bb- F For we are always what our situations hand us, it's either sadness or euphoria

So we'll ar^Cgue and we'll c^Emompromise, and re^Dm7alize that n^F2othing's ever ch^Cang^Emed ^Dm7 ^F2 For all our m^Cutual exp^Emerience, our ^Dm7separate conc^F2lusions are the sa^Gme ^D ^G

-E7 Am G F2 -C/E Now we are forced to recognize our inhumanity

Our ^D7susreason coex^D7ists with our in^Gsussanity ^G F C/E Dm7 G F2 Bb-F E7- And though we choose between reality and madness, it's either sadness or euphoria

Am G F2 -C/E How thoughtlessly we dissipate our energies

Per^D7sushaps we don't fulf^D7ill each other's ^Gsusfantasies^G F C/E Dm7 G F2 Bb- And as we stand upon the ledges of our lives with our respective similarities

^FIt's either sa^Gdness or euph^Coria ^C/E (repeat and fade)

Billy Joel - Summer highland falls