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Capo: 1
Ain't Complaining (Live, Acoustic) - Beatsteaks (Muffenhausen) -------------------------------------------------------------- tabbed by ZaB23 Please mind, that this is the acoustic version, originally played on piano, but it works great on acoustic Guitar too. Course the Piano can't be transposed, but I'm a lazy keayboarder and ultimate guitar can make the job, if you want to play it on Piano. *For a detailled Piano description, look below the chords. Capo 1 /Transpose +1 Intro: A Am D
You got me Aone more Etime on the F#mtelephone I had a Hmhard time F#mmaking the Ecall What you're Adying aEbout is F#mdrying me out And what is Hmcoming is F#mtaking contErol A AfEter you F#mlaid off Hm yF#mour mediEcation A I(Eiiii) feel hungF#mover, Hm cuF#m(uu)t the coDnnection
DAhhhhh Ref.: AGot no Ereason to commF#municate Dahhh AGot no Ereason to commF#municate DKnow where your EstoF#mry goes DNowhere but Hmdown beF#mlow D Ain't no complaining
Zwischenspiel A E F#m, Hm F#m E
A AnEything F#mnear you HmworF#mth the Eattention' A I cut the Ecord off my F#mtelephone You're not Hmwasting my F#mprecious Etime What your Aon abEout is just F#mwearing me out AndHm I've been F#mtrying for too Dlong
Ref.:
AGot no Ereason to commF#municate Dahhh AGot no Ereason to commF#municate DKnow where your EstoF#mry goes DNowhere but Hmdown beF#mlow D Ain't no complaining
A Am D A E F#m, Hm F#m E D Ahuuu ohhhh Ref.:
AGot no Ereason to commF#municate Dahhh AGot no Ereason to commF#municate DKnow where your EstoF#mry goes DNowhere but Hmdown beF#mlow D Ain't no complaining
A E F#m, Hm F#m E End on A *An Ansatz of the Piano Version: (originally each Tone still half a step higher), A2 means, it's the octave higher Version of A1 :D Intro is Played right Hand: left Hand: (A-Chord) C#4 A3 E3 C#4 A3 E3 C#4 A3 2x A1+A2 (Am-Chord) C4 A3 E3 C4 A3 E3 C4 A3 2x C1+C2 (D-Chord) D4 A3 F#3 D4 A3 F#3 D4 A3 2x D1+D2 right Hand Verse: just the normal Chords left Hand Verse: not really sure, but think it's: A1 G#1 F#1, D2 C#2 H2 (simular to the change of the Chords, with a kind of appoggiatura (Vorschlagnote) before each change) Chorus: full chords both left Hand: at:
[...]F#mcommunicate

*

DKnow play: H1 C#2
Outro: right Hand: (A-Chord) (E-Chord) (F#m-Chord) C#4 A3 E 3 C#4 H3 G#3 E3 H3 A3 F#3 C#3 A3 A3 F#3 C#3 (Hm-Chord) (F#m-Chord) (E-Chord) D4 H3 F#3 D4 C#4 A3 F#3 C#4 H3 G#3 E3 H3 H3 G#3 E3 left Hand: like in the normal Verse Hope this gives you an idea - "if you got something to say", a suggestion or criticism, just write =)