Autoscroll
1 Column
Text size
Transpose 0
Tuning:
RESPECT (Bassline)
As recorded by Aretha Franklin
(From the 1967 Album I NEVER LOVED A MAN THE WAY I LOVE YOU)
Words and Music by Otis Redding
Transcribed by SglCoil
Gtr I (E A D G) - 'Tommy Cogbill - Bass'
Intro
Q=116
4/4
Gtr I
H S S E E E E E +E E +E E +E E
|----------------|-----------------------|
|----------------|---------------------0-|
|-3----3p0---0-3-|---------0-(0)-2-(2)---|
|----------3-----|-0-1-(1)---------------|
Q Q S S E E E E E +E E +E E E E
|-----------------|----------------------||
|-----------------|----------------------||
|-3--3--3p0---0-3-|---------0-(0)-1-2-3--||
|-----------3-----|-0-1-(1)--------------||
1st - 4th Verses
$
Q Q S S S S +S S S S E E +E E +E E E E Q Q S S S S +S S S S
||--0--0--------0-(0)-------|---------------------|-0--0--------0-(0)-------|
||o-------2p0-2-------2h3---|---------0-(0)-2-3-2-|-------2p0-2-------2h3---|
||o-----------------------0-|---3-(3)-------------|-----------------------0-|
||--------------------------|---------------------|-------------------------|
E E +E E +E E E E Q Q S S S S +S S S S E E +E E +E E E E
|-----------------0---|-0--0--------0-(0)-------|---------------------||
|---------0-(0)-2---2-|-------2p0-2-------2h3---|---------0-(0)-3-1-0-||
|---3-(3)-------------|-----------------------0-|---3-(3)-------------||
|---------------------|-------------------------|---------------------||
Chorus
Q Q S S S S E E E E +E E +E E +E E
|-------------------|-----------------------|
|-------------------|---------------------0-|
|-3--3--3p0---0-3-3-|---------0-(0)-2-(2)---|
|-----------3-------|---1-(1)---------------|
To Coda
Q Q S S S S E E E E +E E +E E E E 3x
|-------------------|----------------------||
|-------------------|---------------------o||
|-3--3--3p0---0-3-3-|---------0-(0)-1-2-3-o||
|-----------3-------|---1-(1)--------------||
Bridge / Sax Solo
Q E E E E E E Q E E E E E E Q E E E E E E Q E E E E E E
|----------------|----------------|----------------|-----------------|
|-4--4---4-4-4---|-4--4---4-4-4---|----------------|-----------------|
|------4-------4-|------4-------4-|-2--2---2-2-2---|-2--2---2-2-3-4--|
|----------------|----------------|------2-------2-|------2----------|
D.S. al Coda
Q E E E E E E Q E E E E E E Q E E E E E E Q E E E E E E
|----------------|----------------|----------------|-----------------||
|-4--4---4-4-4---|-4--4---4-4-4---|-5--5---5-5-5---|-5--5---5-5-5----||
|------4-------4-|------4-------4-|------5-------5-|------5-------5--||
|----------------|----------------|----------------|-----------------||
Interlude
&
E Q. Q. E E Q. Q. E E Q. Q. E E Q. Q. E
|---------------|---------------|---------------|----------------||
|---------------|-3-----------3-|---------------|----------------||
|-3-----------3-|---------------|-3-----------3-|----------------||
|---------------|---------------|---------------|-1-----------1--||
Out-Chorus
Q Q S S S S E E E E +E E +E E +E E
||--------------------|-----------------------|
||o-------------------|---------------------0-|
||o-3--3--3p0---0-3-3-|---------0-(0)-2-(2)---|
||------------3-------|---1-(1)---------------|
Q Q S S S S E E E E +E E +E E E E 3x
|-------------------|-----------------------||
|-------------------|----------------------o||
|-3--3--3p0---0-3-3-|---------0-(0)-1-2-3--o||
|-----------3-------|---1-(1)---------------||
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
(Oo) What you want
(Oo) Baby, I got it
(Oo) What you need
(Oo) Do you know I got it
(Oo) All I'm askin'
(Oo) Is for a little respect when you come home (just a little bit)
Hey baby (just a little bitno) when you get home
(Just a little bit) mister (just a little bit)
I ain't gonna do you wrong while you're gone
Ain't gonna do you wrong (oo) 'cause I don't wanna (oo)
All I'm askin' (oo)
Is for a little respect when you come home (just a little bit)
Hey Baby (just a little bit) when you get home (just a little bit)
Yeah (just a little bit)
I'm about to give you all of my money
And all I'm askin' in return, honey
Is to give me my propers
When you get home (just a, just a, just a, just a)
Yeah baby (just a, just a, just a, just a)
When you get home (just a little bit)
Yeah (just a little bit)
------ instrumental break ------
Ooo, your kisses (oo)
Sweeter than honey (oo)
And guess what? (oo)
So is my money (oo)
All I want you to do (oo) for me
Is give it to me when you get home (re, re, re, re)
Yeah baby (re, re, re, re)
Whip it to me (respect, just a little bit)
When you get home, now (just a little bit)
R-E-S-P-E-C-T
Find out what it means to me
R-E-S-P-E-C-T
Take care, tcb
Oh (sock it to me, sock it to me,
Sock it to me, sock it to me)
A little respect (sock it to me, sock it to me,
Sock it to me, sock it to me)
Whoa, babe (just a little bit)
A little respect (just a little bit)
I get tired (just a little bit)
Keep on tryin' (just a little bit)
You're runnin' out of foolin' (just a little bit)
And I ain't lyin' (just a little bit)
(Re, re, re, re) 'spect
When you come home (re, re, re, re)
Or you might walk in (respect, just a little bit)
And find out I'm gone (just a little bit)
I got to have (just a little bit)
A little respect (just a little bit)