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THE ULTIMATE ELEVATOR MUSIC Original key Based on the recording here: https://www.youtube.com/watch?v=UJkxFhFRFDA Good theory things to know for this song: - Bossa Nova rhythm - Jazz chords: tritone substitution techniques, extended chords Because UG isn't showing the proper chords, these are suggestions: EADGBe Notes in original chord | Notes included (if not all used on guitar) DbM9: x43544 (Db-F-Ab-C-Eb) DbM13: x44546 (Db-F-Ab-C-Eb-Gb-Bb) | Db-C-Eb-Gb-Bb DM7: x57675 (D-F#-A-C#) D9: x54555 (D-F#-A-C-E) Dm9: x53555 (D-F-A-C-E) Eb13: x66566 (Eb-G-Bb-Db-F-Ab-C) | Eb-Bb-F-Ab-C Ebm7: x68676 (Eb-Gb-Bb-Db) Ebm9: x64666 (Eb-Gb-Bb-Db-F) E9: x76777 (E-G#-B-D-F#) Fm7: xx3544 (F-Ab-C-Eb) G13: 323210 (G-B-D-F-A-C-E) | G-B-F-A-C-E (Bar 2 on 3rd-5th strings) Ab6: 4xx564 (Ab-C-F) Ab#5: 4xx554 (Ab-C-E) Bb9: x10111 (Bb-D-F-Ab -) B9: x21222 (B-D#-F#-A-C#) ORDER: I A1 A2 B INT(Ax2) B A3 CODA [INTRO] DbM9 A1
DbM9Tall and tan and young and lovely The Eb13girl from Ipanema goes walking Ebm7 And when she passes Ab6 - Ab#5 * DbM9 D9 Each one she passes goes "ah!"
A2
DbM9When she walks she's like a samba that Eb13Swings so cool and sways so gently Ebm That when she passes, Ab6 - Ab#5 DbM13 Each one she passes goes "ah!"
B
DM7Oh, but he watches her so G13sadly Dm9How can he tell her he Bb9loves her? Ebm9Yes, he would give his heart B9gladly But each Fm7day when she walks to the E9sea She Ebm9looks straight ahead not at D9him
A3
DbM9Tall and tan and young and lovely The Eb13girl from Ipanema goes walking Ebm7 And when she passes Ab6 - Ab#5 DbM9 D9 He smiles but she doesn't see
[INTERLUDE ~ A SECTION] DbM9 Eb13 Ab6 - Ab#5 DbM9 D9 DbM9 Eb13 Ab6 - Ab#5 DbM9 B
DM7Oh, but he watches her so G13sadly Dm9How can he tell her he Bb9loves her? Ebm9Yes, he would give his heart B9gladly But each Fm7day when she walks to the E9sea She Ebm9looks straight ahead not at D9him
A3
DbM9Tall and tan and young and lovely The Eb13girl from Ipanema goes walking Ebm7 And when she passes Ab6 - Ab#5 DbM9 D9 He smiles but she doesn't see
[CODA]
she doesn't DbM9see, no D9 she doesn'tDbM9 see D9 she just doesn't DbM9see
* I write Ab 6-5 throughout the song to emphasize what is being moved (the F to E-natural). BUT Ab6 is also better known as Fm, in this case Fm/Ab.