Antonio Carlos Jobim - One note samba
Autoscroll
1 Column
Text size
Transpose 0
Tuning: E A D G B E
CHORD DIAGRAMS:
EG#m7ADGBe EAG7DGBe EF#m7ADGBe EAF7DGBe
4X440X 3X340X 2X220X 1X120X
EBm11ADGBe Bb7(b5)EADGBe EAmaj7ADGBe EAA6DGBe
7X775X 6X675X 5X665X 5X465X
EAD9DGBe EAEDGBe EAm7ADGBe
5X455X 022100 5X555X
EGmaj7ADGBe EAG6DGBe EGm7ADGBe EAC9DGBe
3X443X 3X243X 3X333X 3X233X
Fmaj7 F6 F#m7-5 B7
EADGBe EADGBe EADGBe EADGBe
1X221X 1X021X 2X221X 02120X
G F# F E (*)
EADGBe EADGBe EADGBe EADGBe
X5540X X4430X X3320X XX99912
------------------------------------
[Intro]
G#m7 G7 F#m7 F7
G#m7 G7 F#m7 F7
Bm11 Bb7(b5)
Amaj7 A6 D9
G#m7 G7 F#m7 F7 E
[Verse 1]
This is G#m7just a little G7samba
Based F#m7upon a single F7note.
Other G#m7notes are bound to G7follow
But the F#m7root is still that F7note.
Now this Bm11new one is the Bb7(b5)consequence
Of the Amaj7one that's just been A6throughD9
As I'm G#m7bound to be the G7unavoiF#m7dable
F7Consequence of Eyou.
[Chorus]
Am7There's so many people who can
D9Talk and talk and talk
And just say Gmaj7nothing or G6nearly Gmaj7nothingG6
Gm7I have used up all the scale I know
C9And at the end I've come to Fmaj7nothing
F6 F#m7-5 B7
Or nearly nothing
[Verse 2]
So I G#m7came back to my first G7note
As I F#m7must come back to F7you
I will G#m7pour into that one G7note
All the F#m7love I feel for F7you.
Anyone Bm11who wants the Bb7(b5)whole show
Re Amaj7mi fa sol la A6si D9do
He will G#m7find himself with no G7show
Better F#m7play the F7note you Eknow.
[Instrumental]
G#m7 G7 F#m7 F7
G#m7 G7 F#m7 F7
Bm11 Bb7(b5)
Amaj7 A6 D9
G#m7 G7 F#m7 F7 E
[Chorus]
Am7There's so many people who can
D9Talk and talk and talk
And just say Gmaj7nothing or G6nearly Gmaj7nothingG6
Gm7I have used up all the scale I know
C9And at the end I've come to Fmaj7nothing
F6 F#m7-5 B7
Or nearly nothing
[Verse 1]
This is G#m7just a little G7samba
Based F#m7upon a single F7note.
Other G#m7notes are bound to G7follow
But the F#m7root is still that F7note.
Now this Bm11new one is the Bb7(b5)consequence
Of the Amaj7one that's just been A6throughC9
As I'm G#m7bound to be the G7unavoiF#m7dable
F7Consequence of Eyou.
[Outro]
G F# F E
G F# F E
G F# F E
GN.CF#. LaFst EE(*) on 12th fret