Annie Lennox - Why

^C(Why ah ah ah ah^Cmaj7/B ah ah ah ah ah ah) ^{Am7 G/B C}(Why ah ah ah ah^Cmaj7/B ah ah ah ah ah ah) ^{Am7 G}

^C How many times^Cmaj7/B do I have to try to tell you that I'm ^Am7sorry for the ^{Fmaj7 G} th^Cings I've done^Cmaj/B uh uh u^Amh ^Em/Bbut when I^C start to try to tell you ^Cmaj/B that´s when you have to tell me^Am7 hey, this kind of trouble's onl^Fmaj7y just ^{G C} begun ^{Cmaj7/B Am7 Fmaj7 G}

^DI tell myself too many ti^Bm9mes why don't y^F#m7ou ever learn to keep y^Gadd2our big m^Aouth shut that'^Ds why it hurts so bad to hear ^Bm9 the words that keep on falling f^F#m7rom your mouth ^{Gadd2 A Fmaj7}falling from your mouth falling from you^D9r mouth, tell me

^C(Why ah ah ah ah^Cmaj7/B ah ah ah ah ah ah) ^{Am7 G/B C}(Why ah ah ah ah^Cmaj7/B ah ah ah ah ah ah) ^{Am7 G}

^C I may be mad I^Cmaj7/B may be blind I may be viciously unkind b^Am7ut I can still ^{Fmaj7 G C}read what you'r^Cmaj7/Be thinking uh uh uh and I've heard^Am7 it said ^{Fmaj7 G} too many t^Cimes that you'd^Cmaj7/B be better off besides why can't you se^Am7e (this ^{Fmaj7 G} boat is s^Cinking^C/B) x3^{Am F}

^DLet's go down to the wate^Bm9r's edge and we^F#m7 can^Gadd2 cast away th^Aose doubts Some t^Dhings are better left unsaid but they ^Bm9 st^F#m7ill turn me inside out^{Gadd2 A Fmaj7}turning inside out turni^D7ng inside out tell me