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Intro: B, D, A, G, F# Intro Riff |-------------------------------------------------------------| |-------------------------------------------------------------| |-------7h9p7------7-----7------------------------------------| |--7h9-----------9--------------------------------------------| |------------------------9------------------------------------| |-------------------------------------------------------------| Verse 1
EveryBone's a critic, buDt hey they really respect your talent. HaAve yourG manF#ager call my manager, and we'll make records together. AtB this lDevel of success in entertainment, there are certain connotations. It's Aa "you give we take" relation. No the kids Gwouldn't unF#derstand it. Come on nBow, how lDong do think this is really gonna last? A G How long can F#you hold thGeir attentionA before they move on to the next band?
Chorus
On theB inside. On theD inside. On theA inside. DoG you wanna know how iF#t feels on the inside? On theB inside. On theD inside. On theA inside. Do you wanna knoGw how it feels on the iF#nside? Coordinate Bthe mDarketing, label, publicity, touring. Consult oAn, timing and presentation. Go aGhead put this in contextF#. It's B3 points on production, 15% to mDanagement, 10% to the agenAt, 5% to legal repGresentation. F# We cBall it our insurance plan to stretch the ineviDtable as far as we can. Gotta make your AmoneyG while you got the chance, F#do whatever it takes to sell it. G A On the Binside. On the Dinside. On the Ainside. Do you wannaG know how it feels on the insidF#e? On the iBnside. On the iDnside. On the inAside. Do you wanna Gknow how it feels on the insidF#e? (Let's go)
Solo Just how desperate can we be? Go buy our record and see. Just how angry can we seem? Go buy our record and see. Just how fucked up can it get? Go buy our record and see. Just how much can we bleed? We're completely irrelevant on LP and compact disc. Chorus X2 END