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Tuning:
Intro
Bb5 G#5 D#5 C#5
Bb5 G#5 D#5 C#5
Bb5 G#5 D#5
Bb5Run deG#5sire rC#5un
G#5Sexual beBb5ing
G#5Run him like a bC#5lade
G#5To and through the hBb5eart
No cG#5onsciC#5ence
One MG#5otivBb5e
CG#5ater to the C#5hollow
Screaming Bb5feed mF5e hC#5ere
FiG#5ll me uBb5p agG#5ain
F#5TemporF5arilC#5y pacBb5ify this huG#5ngering
So gBb5row
LG#5ibido thD#5row
DC#5ominoes of iBb5ndiscrG#5etions down
FC#5alling all aBb5round
In cG#5ycles
In D#5circlBb5es
CG#5onstantly coD#5nsuming
CG#5onquer and devC#5our
G#5 D#5 Bb5 G#5 D#5 C#5 Bb5 G#5 F5 C#5 G#5 D#5
C#5Cause it's tBb5ime to bring the fG#5ire downC#5 G#5
BBb5ridle all this G#5indiscretiD#5on C#5
LBb5ong enough to G#5edifyD#5 C#5
And Bb5permanently fG#5ill this hD#5olloC#5w
Bb5 C5 C#5 F#5
Bb5 C5 C#5 F#5
D#5 F5 D#5 F#5
Bb5 C5 C#5 F#5
Screaming Bb5feed mF5e hC#5ere
FiG#5ll me uBb5p agG#5ain
F#5TemporF5arilC#5y pacBb5ify this
FF#5eed mF5e heC#5re
FG#5ill me Bb5up agaC#5in
TBb5emporF5ariC#5ly paBb5cifyG#5ing