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Hard Times Come Again No More Original by Stephen Foster, arrangement by the Chieftains. Charted by Richard J.M. Fry for Peter Mills *Notes and Notation* Looks there for fun things! Things to assist in the interpretation of the song. Chords used in order: G: 3X0003 D: XX0232 A:X02220 Bbm: X13321 Bm:X24432 E: 022100 D/F#: 2X0232 Standard Tuning Key: D major Tempo: 67-72 Piacere Intro: G D A-Bbm-Bm G D Bm E A D *Break* Andante Moderato:
Let us Dpause in life's pleasures and Acount its many Bmtears, GWhile we Dall sup sorrow Awith the Dpoor. GThere's a Dsong that will linger forAever Bbmin our Bmears: GOh Dhard Bmtimes E come aAgain no Dmore.
Chorus:
Tis the Dsong, the D/F#sigh of the GwearD/F#y: DHard Times, Ghard Bmtimes, E come again no Amore. Many Ddays you have lingered aAround my Bbmcabin Bmdoor; GOh Dhard Bmtimes E come aAgain no Dmore.
While we Dseek mirth and beauty and Amusic light and Bmgay, GThere are Dfrail forms fainting Aat the Ddoor. GThough their Dvoices are silent, their Apleading Bbmlooks will Bmsay: GOh Dhard Bmtimes E come aAgain no Dmore.
Chorus Instrumental: D D/F# G D/F# D G Bm E A G-D A-Bbm-Bm G D Bm E A D
There's a Dpale drooping maiden who Atoils her life aBmway, GWith a Dworn heart whose better Adays are Do'er. GThough her Dvoice would be merry, 'tis Asighing Bbmall the Bmday: GOh Dhard Bmtimes E come aAgain no Dmore.
Tis a Dsigh that is wafted acAross the troubled Bmwave, GTis a wDail that is Aheard upon the Dshore. GTis a Ddirge that is murmured aAround the Bbmlowly Bmgrave: GOh Dhard Bmtimes, E come aAgain no Dmore.
Final Chorus:
Tis the Dsong, the D/F#sigh of the GweaD/F#ry: DHard Times, Ghard Bmtimes, E come again no Amore. Many Ddays you have lingered aAround my Bbmcabin Bmdoor; G D Bm E A D D/F# Oh hard times, come again no more.
A tempo: piacere Outro:
GOh D/F#hard Bmtimes, E come aAgain no Dmore
*Notes and Notations* 1. Piacere: freely or no tempo. Just play the chords as you want, without tempo. 2. Andante Moderato: slowly, but not too slowly. Seriously, this is a somber tune. Playing it anything faster makes it sound like a happy song about hard times, which is somewhat contradictory to the tone, don't-cha-know' 3. A tempo: return to previous tempo, which, as listed, is piacere. 4. This is one of those cross-style songs. What I mean by that phrase is that this can be flat picked or finger picked. Strumming all the way through this song makes it seem kind of boring, so add some dynamic arpeggiations just to spice things up. 5. The history behind this song is rooted deeply in Appalachia; a culture of music and dance that originates from a mountain ranges on the east coast appropriately named the Appalachian Mountains. The history of this song in particular is more or less a popularization of the Appalachian style. Written by Stephen Foster, the song shares a strong cultural bond with Appalachia, as well as its sister songs "Oh, Susanna" and "Camptown Races", which were also written by Foster. Most of this music appeared in what's known as the "minstrel show", which was more or less a vaudeville style performance during the late 1700 and 1800s. You could find all sorts of fun things at the minstrel show: dancers, actors, jugglers, contortionists, etc…But what you really went there for was the music. There weren't public venues or theaters back then; the minstrel show was literally a variety show on wheels. This format, more or less, is how the cultural music of Appalachia was spread throughout the country. That being said, Appalachia draws its heritage from none other than the green island of Éire, which is why I decided to chord out this song. 6. Well, that, and I'm a huge fan of the Chieftains. Paddy Moloney, the player of the uilleann pipes for the Chieftains, actually shares the same clan as my family. (The clan Moloney) 7. As such, since this arrangement is by and Irish band, the song is in D. Go figure that an Irish song would be in D. 8. As always, if you have requests for acoustic music, please send them my way. 9. Adh mor! (Good luck)