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For drum beat and intro riff 4/4 signature tempo about 107-109 bpm Intro/chorus riff is based on octaves, so mute D string. Standard Tuning (eBGDAE) That's the way I play it: e---------------------------------------------------------------| B---------------------------------------------------------------| G--4--4-4/9-9-9-9-9/4--4-4/7-7-7/12b14/4--4-4/6-7----------/4---| D--x--x-x/x-x-x-x-x/x--x-x/x-x-x/xx-xx/x--x-x/x-x----------/x---| A--2--2-2/7-7-7-7-7/2--2-2/5-5-5/10b12/2--2-2/4-5---------/-2---| E---------------------------------------------------------------| NOTE: to provide really Whig-esque "wall of sound" you can play empty E string during the whole riff Tabbing that b-minor lick by ear really loomed large in my mind, because it seems that the time signature during the verses is something different than 4/4 (I think it's rather 3/4 or even 7/8). I think it's something like that, but for sure it's not 100% correct. During live performances McCollum plays it like that: |-2-2-2--2--2-2-2-| |-3-3-3--3--2h3h2-| |-4-2-4--4--4-4-4-| |-4-4-4--4--4-4-4-| |-2-2-2--2--2-2-2-| |-----------------| |-2-2-2--2--2-2-2--------| |-3-3-3--3--2h3h2--------| |-4-2-4--4--4-4-4--4--4--| |-4-4-4--4--4-4-4--4--4--| |-2-2-2--2--2-2-2--x--x--| |------------------3--2--| Solo is also played over that riff in unusual signature. It is in b minor pentatonic, with wah-wah effect and some bendings. Start with B on 9th fret of D string. Bridge/Outro - start on C, then this pattern D/F#, G, C |---------------------------| |---------------------------| |---------------0-4b5r4b5r4-| |-----0------0--2-----------| |---0------2----3-----------| |-2------3------------------| Dulli only plays b-minor chord variations during all the song, so his part is not very complicated.