NOTE: This Is Not My Own Work!! These are the tabs as found on the Mr. T Experience "Yesterday Rules"... I just thought I'd Upload them for those who don't own the cd... Track Listing: 1:She's Not A Flower 2:Fucked Up On Life 3:Oh, Just Have Some Faith In Me 4:Big, Strange, Beautiful Hammer 5:Sorry For Freaking Out On The Phone Last Night 6:The Boyfriend Box 7:London 8:Elizabeth Or Fight! 9:Everybody Knows You're Crying 10:Jill 11:Shining 12:Institutionalized Misogyny 13:Take All The Time You Need SHE'S NOT A FLOWER Intro: D Dsus2 A E (4x)

^AShe's ^Dnot a ^Eflow^Fer ^Ashe isn't growing in your ^Dgarden today

^Ayou couldn't cultivate her ^Eanyway ^Ayou're ^Dnot a ^Eking b^Fee

^Ayou like honey and you're ^Dpacking a sting ^Abut there really isn't ^Esuch a thing

^Dyou're in flight, and she smells all right but she's not a ^Aflower ^E

As intro x4

^AShe's ^Dnot an ^Eo ^Fcean ^Athat you're an island in the ^Dmiddle of

^Aand there isn't any ^Eprison of love ^Ayou're ^Dnot a ^Efree^Fbird

hey ^Ayou, up on that ^Dmountain peak ^Acan't you hear what's coming ^Eout of your beak'

^Dyou can say you'll fly away but ^Dyou're not a ^Afreebird ^E

As intro x4

^ALove's ^Dnot a ^Epois^Fon ^Ayou better find a better ^Dreason why

^Ayou feel like you ^Ewant to die a b^Aroke ^Dheart won't ^Ekill ^Fyou

^Ayou might suffer till the ^Dend of your days ^Abut that was gonna happen ^Eanyways

and ^Deven if the love you mourn is ^Aequal to the love you scorn

and ^Efortune mocks the ^E7love you gave and ^Dsomeone lays her ^Dmaj7on your grave

^Dshe's not a ^Aflower ^E Outro = intro x2 ============================================================================= FUCKED UP ON LIFE

This song is in B flat, but most of the guitar was played with a capo on the third fret, though playing in G. The true chords are indicated below, with the fingered chords in brackets. Bb [G] I don't have many friends just some pretty loose and dead ends Cm [Am] F7 [D7] Bb [G] even one can be a bit much for me Bb [G] and they call me but I never end up calling them back they lose patience as I lose track Cm [Am] F7 [D7] I don't care anymore Bb [G] if I ever did before Eb [C] Eb/D [C/B] F [D] but I'm not really paying attention Cm [Am] Cm7/Bb [Am7/G] F [D] people say what reflects well on them Cm [Am] Cm7/Bb [Am7/G] F [D] and everyone's lying like rugs Cm [Am] Cm7/Bb [Am7/G] F [D] and everyone thinks I'm on drugs Eb [C] Eb/D [C/B] but I'm just Eb [C] Eb/D [C/B] Cm7 [Am7] Bb [G] fucked up on life cause it doesn't add up Bb [G] and I never know what should be done I know I'm far from the only one Cm [Am] F7 [D7] I stay out of the fray Bb [G] I figure I do less damage that way I'm outstanding in my field Bb [G] and all I ever want to do is just get plowed I always feel outnumbered in a crowd Cm [Am] F7 [D7] and if the truth be known Bb [G] I feel outnumbered when I'm all alone Eb [C] Eb/D [C/B] F [D] if you're wondering why there's no affect Cm [Am] Cm7/Bb [Am7/G] F [D] when I speak, when you look in my eyes Cm [Am] Cm7/Bb bass [Am7/G] F [D] I couldn't begin to explain Cm [Am] Cm7/Bb bass [Am7/G] F [D] I'm almost perfectly sane Eb [C] Eb/D [C/B] but I'm just Eb [C] Eb/D [C/B] Cm7 [Am7] Bb [G] fucked up on life Eb [C] Bb [G] Eb [C] Bb [G] I'm just fucked up, Eb [C] Eb/D [C/B] Cm7 [Am7] Bb [G] Ab [F] fucked up on life Eb [C] oo oo oo Bb [G] F [D] Ab add9 [F add9] Eb [C] F [D] ah na na na na Bb [G] dum dum day I never know what I should do or say Cm [Am] F7 [D7] when words fail me Bb [G] F[D] I react reciprocally Eb [C] Eb/D [C/B] I'm just Eb [C] Eb/D [C/B] Cm7 [Am7] Bb [G] fucked up on life Eb [C] Bb [G] Eb [C] Bb [G] I'm just fucked up, Eb [C] Eb/D [C/B] Cm7 [Am7] Bb [G] fucked up on life ============================================================================= OH, JUST HAVE SOME FAITH IN ME Intro: D D7 C Cmaj7 (2x plus 2x w/D bass)

You didn't ^Dmake my crucifixion I know you had a lot on your ^Aplate

but from ^Dwhat I read and what ^Geveryone said ^AI handled it just great

I'm even ^Dkind of disappointed cause I really couldn't feel it at ^Gall

well I'll come ^Bbdown to you ^Dwhen I get a^F#7round to you ^Gall you gotta ^Ado is ^Dcrawl

^Doh, just have some ^Cfaith in ^Gme ^C7smart things come in ^G7stupid packag^Des ^C ^G

^Dwhen all you hear is the crying you read a lot into each other's ^Asobs

we're going ^Dthrough a spell but we're ^Gaging well

^Aeven if we don't have jobs and we^D can't even leave the apartment

cause we live on such a scary ^Gstreet ^Gbut I don't ^Bbmind

I'll ^Drisk my ^F#7life just to ^Gtry to get you ^Asomething to ^Deat ^Doh, just have some ^Cfaith in ^Gme

pure ^C7love gets sent in^G7 mixed messa^Dges ^C ^G ^Doh^D7sus2, just have some ^Cfaith ^Gin me

^C7smart things come in ^G7stupid packa^Dges so come o^An

D Am7 C G w/D bass (x4) bop bop bop...

^Doh, just have some ^Cfaith ^Gin me I'll ^C7guide you through the^G7 obscure passag^Des

^Doh,^D7sus2 just have some ^Cfaith ^Gin me C7 G7 D (3x) smart things come in stupid packages

Intro as outro x2 ============================================================================= BIG, STRANGE, BEAUTIFUL HAMMER This song is in B flat, but most of the guitar was played with a capo on the third fret, though playing in G. The true chords are indicated below, with the fingered chords in brackets. Intro: Eb [C] Eb/D [C/B] Cm [Am] x2 Eb [C] Eb/D [C/B] Cm [Am] Cm7 [Am7] F [D] F9/Eb [D9/C] Bb/D [G/B] F [D] F7 [D7] Bb [G] Cm [Am] Discretion is a must, rising from the dust, Eb [C] Bb [G] on your feet but just a bit unsteady Bb [G] Cm [Am] you want to close your eyes, be taken by surprise Eb [C] F [D] but not before you're absolutely ready Eb [C] Bb [G] so lay low, as time permits Eb [C] Bb [G] and you'll know it when it hits: Eb [C] Eb/D [C/B] Cm [Am] it's gonna sound like a big Eb [C] Eb/D [C/B] Cm [Am] it's coming down like a big Eb [C] Eb/D [C/B] Cm [Am] Cm7 [Am7] it's gonna pound like a big, strange, beauti ful F [D] F9/Eb[D9/C] Bb/D [G/B] F[D] hammer Bb [G] Cm [Am] You're feeling like a saint, powerful but faint Eb [C] Bb [G] like you want to call for an attendant Bb [G] Cm [Am] heavy in your hand, courage on demand Eb [C] F [D] you feel safe, and strangely independent Eb [C] Bb [G] once baptized in pain and light Eb [C] Bb [G] you'd be advised to hold on tight Eb [C] Eb/D [C/B] Cm [Am] when you collide with a big Eb [C] Eb/D [C/B] Cm [Am] you coincide with a big Eb [C] Eb/D [C/B] Cm [Am] Cm7 [Am7] filled inside with a big, strange, beauti ful F [D] F9/Eb [D9/C] Bb/D [G/B] F[D] F7[D7] hammer Eb [C] it's coming down on you Bb [G] it's gonna drive you home Eb [C] Eb/D [C/B] Cm [Am] Cm7 [Am7] F [D] F9/Eb [D9/C] Bb/D [G/B] F [D] Bb [G] Ab [F] Eb7 [C7] Bb [G] hammer, hammer, Bb [G] Ab [F] Eb7 [C7] Bb [G] big hammer, strange hammer Bb [G] Cm [Am] Discretion is a waste, now you've had a taste Eb [C] Bb [G] you see yourself as well-maintained and polished Bb [G] Cm [Am] existence is a test, we try to do our best Eb [C] F [D] but we're on a quest to be demolished Eb [C] Bb [G] it's your right, so don't be shy Eb [C] Bb [G] day and night you're smitten by Eb [C] Eb/D [C/B] Cm [Am] the might of a big Eb [C] Eb/D [C/B] Cm [Am] the blinding light of a big Eb [C] Eb/D [C/B] in the night of the big, strange, Cm [Am] Cm7 [Am7] F [D] F7 [D7] beauti ful hammer Bb [G] Ab [F] Eb7 [C7] Bb [G] hammer, hammer, Bb [G] Ab [F] Eb7 [C7] Bb [G] big hammer, strange hammer ============================================================================= SORRY FOR FREAKING OUT ON THE PHONE LAST NIGHT Intro: D A G flat5 G D

I'm s^Dorry for freaking out ^Gon the phone last ^Dnight I don't know how it happened but I'm ^Gbasically all ^Dright

even ^Athough you never really ^Dknow be^Gfore you start to wonder like I'm ^Dpretty sure you do

how a ^Aman can be so fragile and so ^Deasy to see ^D7through while re^Gmaining so in^Dflexible

I've ^Bmnoticed t^Ahat one, ^Gtoo D A G flat5 G D but let's keep the freaking out to a min imum

D A G flat5 G D

I'm ^Dsorry for freaking out when ^Gyou freak out on ^Dme things don't always come out how you ^Gwanted them to ^Dbe any^Ahow

including ^Dnow are ^Gwe just being normal'

it's so ^Ddifficult to tell and ^Alove can be so simple and im^Dpossible as ^D7hell

I've de^Gvised a little ^Dsystem you can ^Bmimple^Ament as ^Gwell: D A G flat5 G D let's keep the freaking out to a min imum

D A G flat5 G D

I'm sorry ^A7now I'm always ^E7sorry

you're always ^Gsorry in re^Dturn and I'm with ^A7you

I always ^E7mean well, too you can ^Gmean well and never ^Alearn ^A9

but I'm still ^Dsorry for freaking out ^Gin the car to^Dday I can't always see straight when I ^Gdon't know what to ^Dsay ^A7 ^D

there's ^Gstill so many questions that the ^Dchances could be slim that we'll ^Alay them all to rest before our ^Dlights begin to ^D7dim

when you ^Glet love move a ^Dmountain you en^Bmdanger ^Alife and ^Glimb D A G flat5 G D but let's keep the freaking out to a min imum

D A G flat5 G D but let's keep the freaking out to a min imum

^Doo oo ^Aoo oo oo oo ^Gmoo oo ^D ============================================================================= THE BOYFRIEND BOX

How many ^A7times can you read that letter, and what do you need it for' Can't you see that the salutation has no meaning anymore'

And you ^D7can't resurrect the body, and the closing's out of date

and if you ^E7stumble upon an answer it will ^G6always be too ^D7late--

you better ^Atake that ^Cletter, ^Dput it in the ^Fboyfriend ^Abox. ^D ^C ^A Are you ^A7still staring at that picture of someone who doesn't care' just like you're looking through a window at a world that isn't there'

If you're ^D7trying to reconstruct it, it will only fall apart

'cause ^E7there's really nothing in it but your ^G6late, great, ^D7heart--

you better ^Atake that ^Cpicture, ^Dput it in the ^Fboyfriend ^Abox. ^D ^C ^A ^Aooh ^Gla ^Dla, ^Dooh ^Gla ^Ala, ^Aooh ^Gla ^Dla ^D ^C ^A

There's ^Asomething ^C7dark and ^D7dead ^A ^A7buried ^C7in your ^D7head, ^A and ^G7under^D7neath your ^Abed.

^AYou're still ^C7tempted ^D7to ^A bel^A7ieve the ^C7world is ^D7true. ^A You ^G7even ^D7almost ^A7do. ^E7#9

Your little ^A7world is a little empty, but the memories never stop organizing themselves in layers, the most recent at the top.

If you ^D7need to go any deeper you can dig them out again,

just in ^E7case you need to be reminded of ^G6what a fool you've ^D7been--

you're gonna ^Atake those ^Cmemories, ^Dput them in the ^Fboyfriend ^Abox, ^D ^C ^A ^Aooh ^Gla ^Dla, ^Dooh ^Gla ^Ala, ^Aooh ^Gla ^Dla

^ATake those ^Cletters, ^Dput them in the ^Fboyfriend ^Abox ^C ^D the ^Fboyfriend ^Abox, ^C ^D the ^Fboyfriend ^Dbox ^D ^C ^A

============================================================================= LONDON This song is in A flat, but most of the guitar was played with a capo on the first fret, though playing in G. The true chords are indicated below, with the fingered chords in brackets. Ab [G] Dbmaj7 [Cmaj7] You have to hate the world Bbm7 [Am7] Eb [D] it's required by your clothes Ab [G] Dbmaj7 [Cmaj7] consistency is everything Bbm7 [Am7] Eb [D] as everybody knows Fm [Em] it's so cold, baby Db/F [C/F] you're losing your hold, baby Fm [Em] and you're gonna fold, baby Eb [D] Db add9 [C add9] Ab [G] Eb [D] before too long Ab [G] Eb [D] Db [C] Ab [G] but don't tell me your secret lies in London Ab [G] Eb [D] Db [C] Dbmaj7 [Cmaj7] I already know Ab [G] Eb [D] Bbm [Am] Db [C] I can see your secret lies in London Ab [G] Eb [D] Dbadd9 [Cadd9] Ab [G] Eb [D] everywhere I go Ab [G] Dbmaj7 [Cmaj7] There is a sun somewhere Bbm7 [Am7] Eb [D] extremely far away Ab [G] Dbmaj7 [Cmaj7] your tired eyes, reflecting the sky, Bbm7 [Am7] Eb [D] a drizzly steel grey Fm [Em] there's no light in there Db/F [C/F] and there's no sight in there Fm [Em] I get right in there, and it's all Eb [D] Dbadd9 [Cadd9] Ab [G] Eb [D] dark Ab [G] Eb [D] Db [C] Ab [G] but don't deny your secret lies in London Ab [G] Eb [D] Db [C] Dbmaj7 [Cmaj7] it's not worth your while Ab [G] Eb [D] Bbm [Am] Db [C] you can lie back and think of England Ab [G] Eb [D] Db9 [C9] Ab [G] Eb [D] etc. and miss it by a mile ya na na na na Ab [G] Eb [D] Db [C] Ab [G] you can't conceal your secret lies in London Ab [G] Eb [D] Db [C] Dbmaj7 [Cmaj7] obvi ous ly not Ab [G] Eb [D] Bbm [Am] Db [C] I can feel your secret lies in London Ab[G] Eb[D] Db9 [C9] Ab [G] Eb [D] etc. deeper than you thought ya na na na na ============================================================================= ELIZABETH OR FIGHT! Em C B7 E liz A beth,

don't ^Glook ^Cto ^Dme you can ^Embe yourself or ^Dfind some other ^Emway ^Dto ^Cbe

but ^Emtime ^Cwon't ^B7wait and even ^Gif ^Cit ^Ddoes

^Emit's unlikely ^Dto go back to ^Emhow ^Dit ^Cwas so ^Gmy advice is to ^Dnot think ^D7twice:

Eliza^Cm9beth ^F9or ^Gfight ^Emstick ^Cto your ^B7guns

it won't be ^Glong ^Cbe^Dfore sur^Emrendering won't ^Dbe an option ^Ema ^Cny ^Dmaj7more

so i^Gn the end I ^Drecomm^D7end: Cm9 F9 G (x2) Elizabeth or fight

Am D G D7 flat 9 Em Em7/D bass peace whenever justice will allow

^Am7peace for^Dever E^Cm6lizabeth for ^Gnow

^Emif ^Cthat ^B7means e^Gter^Cnal^Dly ^Emfighting for E^Dlizabeth and ^EmLi ^Dber ^Cmaj7ty

or ^Gthe reverse you could ^Ddo much ^D7worse:

Cm9 F9 G (x3) Elizabeth or fight. ============================================================================= EVERYBODY KNOWS YOU'RE CRYING Intro: A D A E D A

^AEverybody says you ^Dshouldn't cry every^Ebody's ^Astanding by

and everybody's gonna ^Droll their eyes if you ^Eever d^Ao

^Aeverybody says it's ^Dnot too late and you can ^Estill par^Aticipate

you take every^Dbody's bait and everybody ^Elaughs at ^Ayou

^F#mthey'll leave you ^Dcrying all a^Alone ^F#mthey'll say they ^Dwouldn't have if ^Athey had only ^Eknown

but ^Ayou see the reality behind their indulgent ^Dstares-- ^Aeverybody knows you're ^Ecrying

^Dno one ever really ^Acares ^E Intro part: A D A E D A

^Aeverybody thinks you're a ^Dlittle slow every^Eone wants ^Ayou to know

they went through the same thing ^Dlong ago and it wasn't that ^Ehard to ^Ado

^Aeverybody says they ^Dsympathize you stand ^Eby while ^Athey describe

someone you don't even ^Drecognize that's supposed to ^Elook like ^Ayou

^F#mbut they ^Dnever can ex^Aplain ^F#mhow to ^Dlive with such spec^Atacular ^Epain

and ^Awhen you're at your weakest they advise you to be ^Dstrong

^Aeverybody says they've ^Ebeen there ^Deverybody must be ^Awrong ^E

^Aooh ooh ooh ^Dooh ^Aeverybody knows you're ^Ecrying ^D ^A they send their ^Dadd9love and love is loud

they feel it's ^F#mgreatly to their ^B7credit and they're ^Eproud

of their com^F#mpassion, and it's ^Dtrue

but it doesn't have a ^Alot to do with ^Eyou and you ^Acan't escape the conclusion

though you don't like what it ^Dwas: ^Aeverybody says they ^Elove you,

^Dno one ever really ^Adoes. ^E ^Aooh ooh ooh ^Dooh ^Aeverybody knows you're ^Ecrying

^Aeverybody knows you're ^Dcrying ^Aeverybody knows you're ^Ecrying ^D ^A

============================================================================= JILL

I was ^Emhere when the ^Ccall came ^Gthrough, Jill and I ^Emscreened it like I ^Calways ^Gdo, Jill

and they ^Chung up on the machine just like ^Gyou, Jill ^C ^G

well, that ^Emsounds like ^Cone of your ^Gstunts, Jill and I'm ^Emonly gonna ^Csay this ^Gonce, Jill

you ^Chaven't left a message for me in a couple of ^Gmonths, Jill ^C ^G

I'm not ^Dblaming you, Jill this is ^Amhard to do, ^CJill

but I still don't know why I always feel like crying, cry^Ging, cry^Ding I'm still ^Emhaving some trouble ^Ctying up your loose ^Gends, Jill

and I ^Emstill see life through the ^Csame distorted ^Glens, Jill and I ^Cthink I may have said some things about you

in front of some of your ^Gfriends, Jill ^C ^G well, I'm ^Emsorry if I ^Churt your ^Gfeelings, Jill

but ^Emthese are not normally ^Cpeople with whom I have ^Gdealings, Jill I ^Cstill spend most of my time in silence alone

staring at ^Gceilings, Jill ^C ^G but you ^Dknow all that, Jill

what I'm ^Amgetting at, ^CJill is I can't stop not knowing

why I never don't feel like crying, cry^Ging, cry^Ding ^C ^G ============================================================================= SHINING

^DShe, shining like a star, like a sun, like a moon and all that other ^Astuff you know

^DI wanted everything, she gave me everything but everything is never e^Anough

^Gwhat I mean is, ^Dshe, my kind of ^Afluff. ^ALike a star or a ^Dsun or a moon

like the surface of a ^Gstill lagoon like a stainless ^Dsteel spoon she's shini^Ang

^Dreach out to turn her on she fills the room and hijinks en^Asue

^Din dark nights of the soul I don't mind saying that I think I've had one or ^Atwo

^Gtried to tell her, ^Dshe already ^Aknew ^Alike an incan^Ddescent wish

like a silverplate ^Gchaffing dish like a Siamese ^Dfighting fish she's ^Ashining

^Alike a blinding ^Dbrilliant thing like a turned on e^Glectric ring

like a novel by ^DStephen King she's ^Ashining ^Emooh ^Aah, ^Emooh ^Gooh ^Aooh ah

^Emglowing in her ^Djar just like a little piece of ^Astar

Guitar solo, as verse

^Gooh ^Dooh ooh ooh ^Aah ^Alike a blue e^Dlectric shock

like a radio^Gactive rock like the hands of a ^Ddigital clock she's ^Ashining

^Alike the Thames or the ^DRhine or the Nile like a luminescent ^Gradio dial

like a brand new ce^Dramic tile she's ^Ashining ^G ^Dooh she's ^Ashining, ^G ^Dooh she's s^Ahining

^Emin this endless ^Dnight she's my little misguiding ^Dlight

============================================================================= INSTITUTIONALIZED MISOGYNY This song is in C#, but some of the guitar was played as though in G with a capo on the fret (if you can believe that) while some was played as though in C with the capo on the fret. The true chords are below, with the fingered chords (in G) in brackets. C# [G] F# [C] C# [G] F# [C] I'm not complaining, I'm just figuring out C# [G] G# [D] C# [G] how everything left us behind C# [G] F# [C] C# [G] I got my problems, I'm aware of them F# [C] C# [G] G# [D] C# [G] I'll take care of them, never you mind F#9 [C9] C#/F bass [G/B] D#m7 [Am7] you're still repeating pre-recorded things G#6 [D6] F#9 [C9] they used to say in universities C#/F bass [G/B] D#m7 [Am7] G# [D] and books on left wing politics and law F#9 [C9] C#/F bass [G/B] about underlying structures D#m7 [Am7] G#6 [D6] that so far as they mean anything F#9 [C9] C#/F bass [G/B] still won't support the personal D#m7 [Am7] C# [G] connections that you draw C# [G] F# [C] G# [D] C# [G] In sti tutional ized C# [G] C#/C bass [G/F# bass] Bbm [Em] G# [D] mis o gy ny C# [G] F7 [B7] F# [C] C#dim [Gdim] that's all that stands between C# [G] G# [D] F# [C] C# [G] my baby and me C# [G] F# [C] C# [G] F# [C] C# [G] now science tells us I'm hard-wired to, I'm required to G# [D] C# [G] do it with you C# [G] F# [C] C# [G] 'cause I'm a man, and you're a woman F# [C] C# [G] G# [D] C# [G] and that's what those kind of people do F#9 [C9] C#/F bass [G/B] I stole that line from Woody Allen D#m7 [Am7] G#6 [D6] isn't it amusing F#9 [C9] C#/F bass [G/B] I wish I could make you understand D#m7 [Am7] G# [D] what Woody Allen meant. F#9 [C9] C#/F bass [G/B] D#m7 [Am7] If there's no such thing as objective reality G#6 [D6] F#9 [C9] C#/F bass [G/B] why can't we quit our jobs and just imagine D#m7 [Am7] C# [G] we won't have to pay the rent' C# [G] F# [C] G# [D] C# [G] In sti tutional ized C# [G] C#/C [G/F#] A#m [Em] G# [D] mis o gy ny C# [G] F7 [B7] F# [C] C#dim [Gdim] that's why they're charging rent C# [G] G# [D] F# [C] C# [G] to my baby and me G# [D] Michelle, ma belle: F# [C] C# [G] ton beau, Michel Foucault G# [D] F# [C] C# [G] a Foucault dependent is always ready to go A#m [Em] F# [C] I think we're alone G# [D] G#7 flat 9 [D7 flat 9] I might have known A#m [Em] G#9 [D9] F# [C] she's got Chomsky on the phone C# [G] F# [C] G# [D] C# [G] In sti tutional ized C# [G] C#/C bass [G/F# bass] Bbm [Em] G# [D] mis o gy ny C# [G] F7 [B7] F# [C] C#dim [Gdim] that's all that stands between C# [G] G# [D] F# [C] C# [G] my baby and me G# [D] F# [C] C# [G] G# [D] F# [C] C# [G] my baby and me my baby and me C# [G] F# [C] G# [D] C#6 [G6] ============================================================================= TAKE ALL THE TIME YOU NEED Intro: F C G x4

^CIf you ^Ghad ^Amwanted to ^Gsee me to^Fday ^G ^F ^CI as^Gsume ^Amyou could have ^Gfound a ^Fway ^G ^F

but that's ^Dm7not ^Emhow to^Fday ^Gwent God only ^Dm7knows ^Emwhat to^Fday ^Gmeant

^CTake all the ^Gtime you need ^DmI'm not going ^Ganywhere

^Cwe're unsafe at ^Gany speed ^F ^Ctake all the ^Gtime you need ^F ^C ^G

If I ^Chad the ^Gchance to ^Amsay how I ^Gfeel I ^Fwould ^G ^F ^Ceven ^Gthough it ^Amwouldn't make ^Gme look ^Fgood ^G ^F

that's ammu ^Dm7ni ^Emtion ^Fyou l^Gost while you were ^Dm7try ^Eming ^Fto ex^Ghaust

^Ceach possi^Gbility ^Dmuntil you've ex^Ghausted me

^Cthe last of a ^Gdying breed ^F ^Ctake all the ^Gtime you need ^F ^C ^G ^F ^C ^G ^F ^C ^G

^Cand ^DI ^Awill ^Clove ^Dyou ^Astill but you're hardly even ^F#m11needed now

as a lesson to us ^Eall ^F ^C ^G ^F ^C ^G and I ^Dm7want ^Emyou ^Fback a^Ggain

but I don't ^Dm7know ^Emwhat ^FI'd do ^Gthen ^CTake all the ^Gtime you need

^DmI haven't pre^Gpared my case ^CI wouldn't know ^Ghow to plead

^F so ^Ctake all the ^Gtime you need ^F ^Ctake all the ^Gtime you need

^F ^Ctake all the ^Gtime you need F C G etc. and I'll follow your lead

=============================================================================

Mr. T Experience - Yesterday rules