Michael Penn - All that that implies
chordsver. 1
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Tuning: E A D G B E
*Wherever you see a D+, just play a normal D chord followed by a Dsus, which requires you to only use
your pinky to play the G on the high E string
*Wherever you see notation for "C-b", all you have to do there is pull off the C that your index finger is
playing on the 1st fret of the B string. (If you prefer a pull-off... you could just strum it, too.)
Make sure it happens on the last beat of the measure (C-b falls on the "4-and" of the measure.)
Intro
| G D+ | C D+ |
| G D+ | C D+ |
GFiliD+bust and Chesitate
GYou say DI proCcrastinate
and Gthat my D+heartbeat's Csecond rate
G D C C-b
to one you'll recognize
I Gknow that D+you are Cdrawn to it
so Gall I Bmam is cCounterfeit
It Empulls you Dso you Cmust submit
Em A C-b
like ant to honeydew
| G D+ | C D+ |
| G D+ | C D+ |
What GI once D+took as Cremedies
were Gonly Dchalk hyCpotheses and
'Gtis the D+season Cfor a breeze
G D C-b
to blow them all away
To Gadd inD+sult to Cinjury
the Gsum you Bmget means CI agree
so Emyou can cDall that eCmpathy
and find Emsomeone eAlse to bClame
You Cmsay it's truth and Gnothing but
Am D (c b a g f# e d)
baby, I sympathize
Chorus
But Gall that Dthat iAmmpliCes are Glies
surDprise, Cadd9surprise
GAll that tDhat iAmmplCies are Glies
surDprise, sCadd9urprise
They're lGies
SurDprise,
[Change to 3/4]
| G |
Surprise
|F# G A|
| G |
|F# G A|
| B |
|A B A|
| Cadd9 |
|F# G A|
| G |
|F# G A|
| B |
|A B A|
| Cadd9 |
|F# G A|
[Back to 4/4]
| G D+ | C D+ |
| G D+ | C D+ |
TGake this hDeart
and Cclaim a stake
GShove it Dthrough
so CI can't wake
The Emcock will cDrow,
the Cday willAm break
but EmI won't bAe arCound
And Cmit may be the Gkindest cut
Amword comes in edgeDwise
Chorus
GAll that Dthat iAmmpliCes are Glies
surDprise, Cadd9surprise
GAll that Dthat iAmmplCies are Glies
surDprise, Cadd9surprise
They're Glies, surDprise,
[Change to 3/4]
| G |
Surprise
|F# G A|
| G |
|F# G A|
| B |
|A B A|
| Cadd9 |
|F# G A|
| G |
|F# G A|
| B |
|A B A|
| Cadd9 |
|F# G A|
...and Fade out...